PlayGround-NY presents Season 4

BEST OF PLAYGROUND(NY) ’26

April 20th, 2026 7pm ET
The Producers Club & Vimeo Live Simulcast

ACKNOWLEDGING THE LEGACY OF THE LAND WE INHABIT

PlayGround-NY acknowledges that we are on the unceded ancestral homeland of the Munsee Lanape, the original inhabitants of the territory colonially known as the five boroughs of New York City. As the past and present Indigenous stewards of this land and in accordance with their traditions, the Munsee Lanape have never ceded, lost, nor forgotten their responsibilities as the caretakers of this place, as well as for all peoples who reside in their traditional territory. We recognize the historic injustice of the forcible removal of the Munsee Lanape people from their ancestral lands, and that we benefit from living and working on their traditional homeland. We wish to pay our respects by acknowledging the Ancestors, Elders and Relatives of the Munsee Lanape Communities and by affirming their sovereign rights as First Peoples. We honor the storytellers of the Lanape and are grateful for our ability to share and uplift Indigenous stories and those of other historically marginalized communities.

To learn about the legacy of the land you inhabit, visit Native-Land.ca | Our home on native land. To read the complete Land Acknowledgment Policy, click here.

PLAYGROUND’S ANTI-RACIST POLICY

PlayGround recognizes the impact of racial oppression within society and the American Theater and that we have been complicit in White Supremacy culture. Our goal is to co-create safety for our community by identifying and interrupting instances of racism and all forms of oppression when we witness them, through specific actions rooted in the principles of anti-racism and accessibility. In its endeavor to address the implications of our history, PlayGround is committed to its compliance with the following fundamental rights:
● The recognition of inherent dignity and worth of each human being.
● The recognition of equality of all human beings.
● Recognition of rights of ethnic, racial, cultural, linguistic and religious groups.
● Equality and non-discrimination.

PlayGround’s Anti-Racist Policy applies to: all members of the PlayGround community, including employees, independent contractors, volunteers, audience members, donors, and general members of the community.

To read the complete Anti-Racist Policy, click here.

Stage Manager – Sarah Gasser

This live stream is produced under a SAG-AFTRA New Media Agreement.

PlayGround is a member of Theatre Bay Area, A.R.T.-New York, League of Chicago Theatres, and Theatre Communications Group, and a Partner Organization of the National New Play Network (NNPN).

BIOGRAPHIES

PLAYWRIGHTS

ASH (Happy Birthday, Beatrice), they/she, is an active composer, playwright, songwriter, sound designer, and music director for choir and theatre. She writes both musicals and plays and was recently named an inaugural Writer-in-Residence for MusicalWriters.com. She has been selected for National Queer Theater’s 2025 Criminal Queerness Studio, Fresh Binder’s Spring 2025 Writer’s Cohort, The Workshop Theater’s Fall 2025 Writers’ Intensive, MusicalWriters.com’s Next Level Writers Lab, and 46 Minutes Writers Group. Her choral work has been performed globally. As a proud queer, trans, and Persian artist, their storytelling emphasizes connection, revelation, and celebration. Portland raised, NYC based. MusicByAsh.com

TAYLOR A. BLACKMAN (Back Pay), he/him is a writer, actor, and producer from Chicago, Illinois. His written works include To Infinity, (Alfred P. Sloan/Ensemble Studio Theatre Commission), It’s Karen, B****” (2024 Fire This Time Festival, 2024 WE/US Playwrights of the Gender Minority publishing deal under Smith & Kraus), Riverside Drive (5th Floor Theatre New Works Grant Finalist, Hi-ARTS Residency), and Two of A Pair (PlayGround-NY). He is a current Comedy Central Laugh Lab TV Fellow, an Alfred P. Sloan/EST Commissionee, a Uptown Collective Renaissance Residency Fellow, and A Fire This Time Festival Fellow. As an actor, Taylor has collaborated and worked with Roundabout Theatre Company, The Movement Theatre Company, The Public Theatre, Yale Repertory Theatre, New York Stage & Film, Playwrights Horizons, Ensemble Studio Theatre, Page 73, Signature Theatre, The Parsnip Ship, and others. TV/Film Credits: FBI (CBS), Raising Kanin (STARZ), Alternatino (Comedy Central). Directing Credits include Movement Director for Sweet Chariot at The Public Theatre’s Under the Radar Festival, and 48Hours in Harlem Festival.

BRAM HARTMAN (Freddie Fartfinger Saves the Day), he/him, is a New York based writer. He was selected as a Lambda Literary Fellow for 2024, studying Playwriting under Roger Q. Mason. Bram’s work has been performed in California, Minnesota, New York, and Pennsylvania. Bram’s short play, “Trash-Hole” (from a PlayGround prompt) will premiere at the SPF NYC Festival in June. He’s a member of the Dramatists Guild and is proudly in his 3rd season with PlayGround-NY. He lives with his husband and cat. www.bramhartman.com

SIO HORNBUCKLE (The Monster Moves On), they/he, is a playwright and director living in Brooklyn. Their plays have been developed by November Theatre, Playwrights Foundation, and Columbia University NOMADS, and their short play EOL won Best Play at the Secret Theatre’s Act One: One Act Festival. They direct the sketch duo DUKES.

UMA INCROCCI (Marathon Dan), she/her, has been a member of the Playground Writing Pool since 2018. Her play “To Keep and Bear” had a workshop at the New Ground Theater Festival at the Cleveland Playhouse in June 2024. Her short plays have been performed around the country and in Adelaide, Australia. You can catch her TV movies “Romance with a Twist,” “Nature of Love,” “Hats off to Love” and “A Christmas Carousel” on the Hallmark Channel.

GAURAV MISHRA (Oh Noklahoma!), he/him, is a playwright, composer, and sound designer based in NYC. He recently obtained an MFA in Musical Theatre Writing from NYU Tisch and is currently a member of the BMI Lehman Engel Musical Theatre Workshop. He also holds degrees in Theatre & Performance Studies, Music Composition, and Economics from UC Santa Barbara. Gaurav has been employed in venues across New York, Florida, and California as a writer, composer, sound designer, production accountant, musician, and more. He has also been a restaurant jazz pianist and an international tax specialist. Gaurav loves birds, falling asleep to podcasts, and Lille, France.

ACTORS

DESIRÉE BAXTER (Freddie Fartfinger Saves the Day, “Grandma”), she/her, is an NYC-based actor and classical singer. Roles: Countess/All’s Well That Ends Well, Parent Lear/Lear, Gertrude/ Hamlet, Ranevskya/The Cherry Orchard, Marmee/Little Women, Hope/Be a Good Little Widow and Dauber/The Cradle Will Rock. Thriving in a collective where all voices – past and present – are sought out and amplified, Desirée is an active member of Expand The Canon, uncovering and uplifting classic plays by women & underrepresented genders; and The Drawing Board, a lab for playwrights, screenwriters and actors. AEA, SAG-AFTRA, AGMA.www.DesireeBaxter.com

JULIA CROWLEY (Marathon Dan, “Ilana”) she/her, has been a member of Playground-NY since we started on zoom. She is an actor working professionally across New England and NYC. She is a graduate of Bennington College and a performer with American Immersion Theater. Her performances can be seen across stage, screen, radio, and dance floor.

CHACHI DELGADO (Oh Noklahoma!, “Scraggly”), he/him, is super excited for his second playground in New York! Native from the Bay Area, enjoys survivor, loves the beach and misses his family. He’s so glad to be back after touring with a production of Rent In Concert! Some past projects included shows at PaperMill Playhouse, SF Playhouse, and Shotgun Players! His next project will be a production of Newsies in Virginia! He hopes you enjoy!

VICTORIA FANNING (The Monster Moves On, “Junie”), she/her, is an NYC based actor and singer. Fordham Theatre Alum. Select Credits: The Bakkhai (Agave), The Wolves (#25), Girlboss (Marlee), The Girls (Catherine). Staged Readings: A High Lonesome Sound (Emmy), Mac In Cheese (Fran). A big thank you to all the folks at Playground NY! Love always to Cason and her family and friends! www.VictoriaKennedyFanning.com. IG: @VictoriaKFanning

SARAH GUILBAULT (The Monster Moves On, “Monster”), is a NYC based performer and a nuisance. They are often found writing, performing, and slinging martinis.

GEORGE HARRIS (Back Pay, “Jeremy”), he/him, is an actor living in NYC. Proudly added as a member to PlayGround-NY and a member of AEA, he has been in numerous regional productions and TV work. Past credits include Pippin, Smokey Joe’s Cafe,  Hairspray, and Dreamgirls. He has also appeared on Project Runway and Netflix’s She’s Gotta Have It, directed by Spike Lee.

WILLOW LAUTENBERG (Oh Noklahoma!, “Laurel”), she/her, is an actress-playwright-singer based in NYC. Off-Bway/NYC credits include: Freak Son (Chain Theatre), What It Means to Be Free (Theatre Row) & Spare Rib (New World Stages). Regional/Tour credits include: Shrek The Musical, A Midsummer Night’s Dream, The Wizard of Oz & Les Misérables. Playwriting credits include: Incarcerated (NewYorkRep commission – Off-Bway reading), What It Means to Be Free (play – performed at United Solo, screenplay – finalist at the Harlem Int’l Film Fest). Resident actor for Playground-NY. Holds a BFA in Acting & a Writing Minor from Emerson College. Love & gratitude to her parents. @willowthesingingtree

MERLIN MCCORMICK (Freddie Fartfinger Saves the Day, “Drew”), he/they, is an actor, singer, dancer, and screenwriter from the suburbs of Wake Forest, NC, but he is simply whatever he needs to be to tell a story. They love dancing, stunting on hoes with a clean fit, Shakespeare, history, and writing poetry. Some of his notable credits include Viola in Twelfth Night (International Black Theatre Festival), Romeo, Hamlet, and Orsino in Shake it Up: Cabaret (Shakespeare and Company), and Millie in Trouble in Mind (Clarence Brown Theatre). Merlin holds an MFA in Acting from University of Tennessee, Knoxville.

RAMI RAO (Back Pay, “Tooth Fairy”), they/she, is an Indian-American actor, dancer and singer. They are Stella Adler Studio Studio of Acting’s Musical Theatre and Physical Theatre Lab alumna. Recent credits include Monday Night PlayGround-NY: Tales of the City, an original physical theatre piece “Stop, Replay” at PhysFest 2025, three editions of Living Radio 2024-25, Mote in A Midsummer Night’s Dream 2024, Kooks – The Little Festival 2023 (International Theatre Festival for Young Audiences), May in Time Flies and more. Abhirami also teaches Indian Classical Dance (Bharatanatyam) and writes on occasion!

CHARLIQUE C. ROLLE (The Monster Moves On, “Tabitha”), is a nationally recognized arts and culture leader, producer, community and cultural design specialist, and visionary storyteller committed to amplifying Black and marginalized voices. A Bahamas-born multidisciplinary creator, she serves as Associate Director of the Off-Broadway New York Times Critic’s Pick Oh Happy Day at The Public Theater; a member of Roundabout Theatre Company’s Director’s Group (Cohort 7) and Space Jam; Producer at Baltimore Center Stage; and Associate Producer and Company Member of Playground-NY. Recognized in Newcity’s 50 Players (2022, 2024), Charlique bridges faith, art, and justice to cultivate spaces for healing, imagination, and collective liberation. Through her work, she reimagines creative production as cultural ministry—designing ecosystems of sustainability, creative freedom, and joy-centered transformation.

JOE STATON (Back Pay, “Frank Borenstein”), he/him, is a British actor based in New York and a company member of Ensemble Shakespeare Company (ESC). New York credits include A Midsummer Night’s Dream and Romeo and Juliet with ESC, as well as The Rainmaker and Knock Knock. Regional credits include The Woman in Black, Macbeth, Pride & Prejudice, and The Importance of Being Earnest. Film credits include The Lightworker, Seagull, and Supreme Tweeter. He will next appear in Julius Caesar with ESC. He trained at the Stella Adler Studio of Acting and Italia Conti Academy in London.

STEPHANIE JEANE (Marathon Dan, “Millie”), she/her, is thrilled to be back in the Playground with the wonderful artists of PG-NY! She was featured in the opening ceremony of WNBA Season 2025 on ESPN. Theatre credits include Meiko in Eureka Day (Shaker Bridge Theater), Helena in Midsummer Night’s Dream (Hip to Hip Theatre), Rosalind in As You Like It (Hamlet Isn’t Dead), Daisy in Dogeaters (Two River Theater), Burning Cloud (Chain Theatre), Look How Far You’ve Come (New York Theatre Festival), Two Takes (Frederick Loewe Theatre). Film credits circulating in festivals include Driver, Beginning, Polanco. MFA Columbia. www.stephaniejeane.com

ELI WASSERTZUG (Happy Birthday, Beatrice, “Beatrice”), is an NYC-based actor and singer with a BA in Drama from Vassar College. They are a member of Notch Theatre Company’s Artists Advisory Committee, a frequent collaborator with The Firebird Project, and a summer teaching artist for Traveling Players Ensemble; they have recently appeared in the city in Time Signatures as part of The Exponential Festival. When not on stage or screen, you can find them agonizing over how to come across both immaculately professional and down-to-earth relatable in their bio, or tuning out the world with a sci-fi/fantasy novel (recommendations welcome!).

DIRECTORS

JACKSON BRADSHAW (Happy Birthday, Beatrice), they/any, is a director with a passion for new works development. Jackson is the Artistic Director for A La Carte Writers Workshop. Some of Jackson’s favorite directing projects include: People Don’t Shoot Up Schools in 1930 by Annie Brown (Theatre Row,) The Human Experiment by Kirsten Freimann (The Vino Theatre,) The Big Boy City by Bram Hartman (Chain Theatre.) Jackson is an alumni of the Dobbins Conservatory.

GRACIE CONNELL (Marathon Dan), is an actor, voiceover artist, writer, Basset Hound Enthusiast, and overall funny-girl based out of New York City.

NATALIE KANE (The Monster Moves On), she/her, is a New York-based director and dramaturg passionate about bringing resonant plays and transcendent writers to new audiences. Favorite directing credits include Conceal Me What I Am (NYC Fringe), Fools in the Forest (Little Shakespeare Festival), Dinosaur on the Moon (WTFringe), and Zig-Zag (Premiere the Play/Permafrost). Natalie has directed, assisted, and researched with varied companies including Gingold Theatrical Group, Roundabout Theatre Company, Permafrost Theatre Collective, and Gloucester Stage. She currently directs Ladies & Fools, leads research for Expand the Canon, and teaches dance for Forager Theatre. Training: Kenyon College, National Theater Institute. NatalieKaneDirector.com.

JULLY LEE (Oh Noklahoma!), she/her, is an Ovation-nominated actor and long-time performer with COLD TOFU IMPROV, the nation’s first and longest running Asian-American comedy troupe. Hailing from Los Angeles, she made her New York and Broadway debut in KPOP the Musical and is now bi-coastal. Some of her theatre credits include: Joy Luck Club (national tour), Coleman ’72, Aubergine, tokyo fish story (South Coast Repertory), Hannah and the Dread Gazebo (Fountain Theatre/East West Players, Ovation nomination for Featured Actress in a Play), Ladies (Boston Court Pasadena), 36 Views (PCPA), Mexican Day (Rogue Machine), Chinese Massacre [Annotated] (Circle X) and Tales of Clamor (Aratani Theatre). TV credits include recurring roles on Young Sheldon, The Kicks and Gang Related and guest appearances on Crazy Ex-Girlfriend, S.W.A.T., Veep, This Is Us, Jane the Virgin, Rosewood, The Kominsky Method, and I Think You Should Leave. Feature film: The Illegal, Reach, Thriller, Double Mommy and Return to Zero. As a director, she has worked with Cold Tofu, Company of Angels, East West Players, Song Collective (NY), Pan-Asian Repertory (NY), Playground-NY, Playground-LA, Playground-SF, Playwrights’ Arena, Moving Arts, IAMA Theatre, The Road Theatre, EST-LA, Artists At Play, Los Angeles Female Playwrights Initiative, Alliance of Los Angeles Playwrights, Exposition Review, hereandnow theatre ensemble, and USC’s Masters of Professional Writing Program. jullylee.com

CHARLIE RODRIGUEZ (Freddie Fartfinger Saves the Day), he/him, has a BA in Drama from Texas Women’s University and a MFA in Acting from University of Arkansas and has studied Shakespeare at the Royal Academy of Dramatic arts. He has performed both in the US and the UK. He is represented by the bicoastal agency Media Artist Group (MAGtalent). He just finished filming a supporting role for the film Lucky Lu by award winning director director Lloyd Lee Choi. His Insta is @elmejorcalosrodriguez

ABIGAIL ROSEN (Back Pay), she/her, is honored to be closing out her third season as Executive Producer of PlayGround-NY. She is a producer, director, and dramaturg with a focus on new works. Please do not ask her open ended questions about this Broadway season if you do not have the next thirty minutes free.

PRODUCTION

SARAH GASSER (Stage Manager) joined PlayGround in 2017 and has staged managed for the Monday Night PlayGround series and PlayGround Festival. In the Bay Area, she has stage managed for Brava and Bay Area Children’s Theatre, among others.

PLAYGROUND-NY is the second regional expansion of the celebrated Bay Area playwright incubator and theatre community hub, PlayGround(SF). PlayGround, California’s leading playwright incubator, provides unique development opportunities for the Bay Area’s, Los Angeles’ and now New York’s best new playwrights, including the monthly Monday Night PlayGround staged reading series, annual PlayGround Festival of New Works, full-length play commissions and support for the production of new plays by local playwrights through the New Play Production Fund. To date, PlayGround has supported over 350 early career playwrights, developing and staging more than 1,500 of their original short plays through the Monday Night PlayGround staged reading series and the PlayGround Festival. PlayGround has also commissioned 100 new full-length plays by 60 of these writers through its Commissioning Initiative and, through the innovative New Play Production Fund, has directly facilitated the premiere of 36 plays at theatres of every size, including three that have gone on to NYC and other major theater communities. Most recently, PlayGround renovated and relaunched the former Thick House Theater in San Francisco’s Potrero Hill as Potrero Stage, a state-of-the-art center for new plays, home to PlayGround’s expanding artistic programs and some of the Bay Area’s most distinguished new play developers and producers. Over the past twenty-seven years, PlayGround has served to identify some of the most important new local voices for the theatre. PlayGround’s alumni have gone on to win local, national, and international honors for their short and full-length work, including recognition at the Steinberg Awards, Glickman Awards (including 6 of the past 10), Humana Festival, O’Neill National Playwrights Conference, Bay Area Playwrights Festival, The Lark’s Playwrights’ Week, New York International Fringe Festival, and others. PlayGround received the 2009 Paine Knickerbocker Award for outstanding contributions to Bay Area theatre, 3 BATCC Awards for Best Original Script for PlayGround commissions, a 2014 National Theatre Company Grant from the American Theatre Wing (founder of the Tony Awards®), and a 2016 Edgerton Foundation New Play Award.

STREAMING NOW AND COMING SOON

PLAYGROUND CONTRIBUTORS

PlayGround is deeply grateful for the generous contributions of the many individuals, foundations, corporations and government agencies whose contributions make our work possible. This list reflects gifts of $125 or more committed between January 1, 2025 & January 25, 2026.

GOVERNMENT, CORPORATE, & FOUNDATION DONORS

Alameda County Arts Commission • Art Space Development Corporation • Berkeley Civic Arts • Berlanti Family Foundation • Bill Graham Supporting Foundation of the Jewish Community Federation & Endowment Fund • California Office of the Small Business Advocate • Fleishhacker Foundation • Grants For The Arts • KFF • Koret Foundation • LA County Arts Commission • Lenore & Howard Klein Foundation • The Leo J. & Celia Carlin Fund • National Endowment of the Arts • Negley Flinn Charitable Foundation • New York State Council on the Arts • News Corp • NIAC • Nvidia • Phyllis C. Wattis Foundation • Ronald Whittier Family Foundation • Rye Financial Services • SF Shines • The Shubert Foundation • State Compensation Insurance Fund

SEASON SPONSORS ($5000+)

Emilie & Gordon Brooks, Dan Cohn & Lynn Brinton, Keith Goldstein & Donna Warrington, Jim Kleinmann & Lara Gilman, Jackie Kubicka, Craig Moody, Darryl Wilburn

EXECUTIVE PRODUCERS ($2500+)

Randy Adams, John Gilman, Regina Guggenheim, Kathryn Hecht, Nitin Nitin & Vasugi Kailasam, Jessica June Rowe, Christian Wilburn, Janine Wilburn, Anonymous

PRODUCERS CIRCLE ($1000-$2499)

Jahnavi Alyssa, Linda Amayo-Hassan, Meriko Borogove, Anne Brady, Summer Broyhill, Madeleine Butler, Sheila Collins, Jediah Craig, Elizabeth Dudak, Jessica Forbess, David Goldman, Greg Gorel, Gina & Steve Harris, Uma Incrocci, Jonathan Josephson, Linda Kremer, Tobi Marcus, Rebecca Martinez, Bram McGinnis, Molly Noble & Bob Guilbault, Kendall Phillips, Evelyn J Pine & Doug Peckler, Bridgette Dutta Portman, Arthur Rock & Toni Rembe Rock, Kathryn Ryan, Miyoko Sakatani, Diane Sampson, Sanjit Sengupta, Kurt Taylor, William C. Thompson, Jeffrey Trescott, Hechale Productions

PLAYWRIGHTS CIRCLE ($500-$999)

Tanvi Agrawal, Ben Cain, Lydia R. Diamond, Leon Goertzen, Philip Gotanda & Diane Takei, Toby Inoue, Paul & Pam Kleinmann, Margery Kreitman, Kathy Roberts & Aaron Loeb, Jenny Rand, Cindy & Chris Redburn, John Ruskin, Kitt Saginor, Mercedes Segesvary, Jerome Solberg

PATRON ($250-$499)

Linda Ayres-Frederick / Phoenix Arts Association Theatre, Ruth Brayton, Marilyn Cooper, Clint Fleener, Alex Loddengaard, Alan Maass, Tobi Marcus, Stephanie Prentice & David Haines, George Rose, Mark Sherstinsky, Jon & Susan Sweedler, Mary Lou Torre, Robin Wimsatt, Maury Zeff

ASSOCIATE MEMBER ($125-$249)

Sharon Baldwin, Deepanshu Dutta, Krystyna Finlayson, Clint Fleener, Patience Haggin, Abbe Kalos, Karen Levesque, Pam Mackinnon, Linda Marks, Jack Needleman, Karen Reaume, Katja Rivera, Nancy Smith, Ann Hearn Tobolowsky, Christina Velasco, Matt W Wills, Susannah Wise

To contribute to PlayGround, visit playground-sf.org/contribute or contact PlayGround Associate Director of Development Lana Richards at lana@playground-sf.org or by phone at (833) 992-6677.

PlayGround-NY Writers Pool 2025-26

Claire Abramovitz, Taylor Blackman, Tré Calhoun, Maisa Chiang, Kyri Colson, Chelyn Cousar, Dana Leslie Goldstein, Bram Hartman, Stanley Hathaway, Howard Ho, Wade Lawrence Hollomon, Sio Hornbuckle, Le’Kee Antonio Horton, Uma Incrocci, Nathaniel Blake Johnson, Sarena Kuhn, Heather McDonald, D.A. Mindell, Gaurav Mishra, Ayodeji Otuyelu, Annie Raczko, Jacob Marx Rice, Kathryn Ryan, Ash, Camron Wright, Melvin Yen

PlayGround Resident Playwrights

Saiya Floyd, Dana Goldstein, Howard Ho, Wade Hollomon, Lyra Nalan, Camron Wright

PlayGround-NY Company

Kayla Amani, Jen Anaya, Sergio Mauritz Ang, Rebecca Aparicio, Jackson Bradshaw, Julia Brothers, Eva Burgess, Tia Cassmira, Nathaniel Claridad, Sheila Collins, Gracie Connell, Julia Crowley, Sarah Guilbault, Neal Gupta, Noor Hamdi, SouJee Han, Amy Hart Nguyen, Monica Ho, Mary Hodges, Anya Josephs, Tyler Kent, Nikhaar Kishnani, Kalina Ko, Nico Krell, Austin Ku, Willow Lautenberg, Jully Lee, MeeWha Lee, Timothy Lee, AJ Lily, Ana Margineanu, Alex Moggridge, Ed Moreno, Norm Munoz, Graceson Nunez, Attilio Rigotti, Charlique C. Rolle, Abigail Rosen, Betsy Rosen, Paris Ruiz, Alex Shafer, Nick Sholley, Olivia Songer, Illana Stein, James Suarez, Kimberly Van Vo, Rebbekah Vega-Romero, Rebecca White, Laith Zuaiter.

PlayGround-NY Staff

Jim Kleinmann, Co-Founder & Artistic Director
Lana Richards, Associate Director of Development
Jonathan Josephson, Director of Marketing & Communications
Abigail Rosen, Executive Producer
Bailey Jordan Garcia, Casting Director
Kayla Amani, Associate Producer
Charlique Rolle, Associate Producer

PlayGround Ambassadors

Julia Brothers, Jordan Carlson, Ben Chau-Chiu , Julia Crowley, Sheri Flanders, Claire Ganem, Eric Geller, Monica Ho, Tony Kim, Christine Liao, AJ Lily, Ely Sonny Orquiza, Andrew Perez, Ivan Rivas, Miyoko Sakatani, Braedyn Youngberg.

PlayGround Equity Workgroup

Diana Burbano, Victoria Evans Erville, Norman Gee, Jim Kleinmann, Brittany Mellerson, Tiana Randall-Quant, Katja Rivera, M. Graham Smith.

PlayGround Board

Stephanie Prentice, Chair
James A. Kleinmann, President
Emilie Talbot, Vice President
Nitin, Treasurer
Christian Wilburn, Secretary
Regina Guggenheim, Chair Emeritus
Tanvi Agrawal
Linda Amayo-Hassan
Julia Brothers
Ben Cain
Howard Ho
Toby Inoue
Rebecca Martinez
Kendall Phillips
Jessica June Rowe

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