PlayGround-NY presents Season 1

MONDAY NIGHT PLAYGROUND

Topic: “Not So Silent Night”
December 27th 2021 7pm EST
Vimeo Live Simulcast & On Demand

Good King What’s-His-Name
by David Hilder
Directed by Illana Stein
Wenceslas……………………………Aaron Wilton
Jackie…………………………….Gabriella Momah

Rudy
by Rachael Richman
Directed by Jully Lee
Rudy……………..………Graceson Abreu Nuñez

Christmas Divorce
by Charles Velasquez-Witosky
Directed by Ana Margineanu
Adult…………………………………..…Nick Sholley
Child………………………………………..Tyler Kent

Chelm, KS
by Ruth Geye
Directed by Jim Kleinmann
Rose…………………..…….Jenny Nguyen Nelson
Mordi………………………….…….Sarah Guilbault
Dreydel………………..……….……Roberta Pikser

Bridezilla Versus Stage Mom
by Louis DeVaughn Nelson
Directed by Tessa Corrie
Jaclyn………………………………….Sheila Collins
Jack Daniels…………………….Enormvs Muñoz
Janelle………………………………..Ekemini Ekpo
Jordan……………………………………..Austin Ku

Santa Buddy
by Annie Jin Wang
Directed by Kalino Ko
Lin……………………………………..June Lienhard
Sam………………………………………..Alex Shafer
Riley…………………….Rebbekah Vega-Romero

Stage Manager – Sarah Gasser

This live stream is produced under a SAG-AFTRA New Media Agreement.

PlayGround is a member of Theatre Bay Area and Theatre Communications Group,
and an Associate Member of the National New Play Network (NNPN).

PEOPLE’S CHOICE AWARD

Following tonight’s performance, we invite your participation in this month’s People’s Choice Award. Through the People’s Choice Award, our audience can play a direct impact in furthering the career of a promising new playwright. To vote, make a People’s Choice Award tax-deductible donation on behalf of your favorite play(s)/playwright(s) from the evening. Every donated dollar counts as a vote while directly supporting PlayGround’s award-winning incubator programs.

Cast your vote for your favorite play(s) by making a People’s Choice donation via Zelle (info@playground-sf.org), Venmo (our account ID is @playgroundsf and if they ask for the last four digits of my phone, it’s 8541) or on our website at https://tickets.playground-sf.org/TheatreManager/1/online?donationquick=168 (you can also visit the Monday Night PlayGround page for the People’s Choice donation button). Add a note/memo with your gift to indicate your favorite play(s) or email your selection to boxoffice@playground-sf.org.

At the end of next week, we’ll tally up the top vote-getter and automatic semi-finalist for our season-ending Best of PlayGround. It’s a powerful way of showing your support for new writers and their work, while helping PlayGround continue doing what we do!

ACKNOWLEDGING THE LEGACY OF THE LAND WE INHABIT

PlayGround-NY acknowledges that we are on the unceded ancestral homeland of the Munsee Lanape, the original inhabitants of the territory colonially known as the five burroughs of New York City. As the past and present Indigenous stewards of this land and in accordance with their traditions, the Munsee Lanape have never ceded, lost, nor forgotten their responsibilities as the caretakers of this place, as well as for all peoples who reside in their traditional territory. We recognize the historic injustice of the forcible removal of the Munsee Lanape people from their ancestral lands, and that we benefit from living and working on their traditional homeland. We wish to pay our respects by acknowledging the Ancestors, Elders and Relatives of the Munsee Lanape Communities and by affirming their sovereign rights as First Peoples. We honor the storytellers of the Lanape and are grateful for our ability to share and uplift Indigenous stories and those of other historically marginalized communities.

To learn about the legacy of the land you inhabit, visit Native-Land.ca | Our home on native land. To read the complete Land Acknowledgment Policy, click here.

PLAYGROUND’S ANTI-RACIST POLICY

PlayGround recognizes the impact of racial oppression within society and the American Theater and that we have been complicit in White Supremacy culture. Our goal is to co-create safety for our community by identifying and interrupting instances of racism and all forms of oppression when we witness them, through specific actions rooted in the principles of anti-racism and accessibility. In its endeavor to address the implications of our history, PlayGround is committed to its compliance with the following fundamental rights:
● The recognition of inherent dignity and worth of each human being.
● The recognition of equality of all human beings.
● Recognition of rights of ethnic, racial, cultural, linguistic and religious groups.
● Equality and non-discrimination.

PlayGround’s Anti-Racist Policy applies to: all members of the PlayGround community, including employees, independent contractors, volunteers, audience members, donors, and general members of the community.

To read the complete Anti-Racist Policy, click here.

BIOGRAPHIES

PLAYWRIGHTS

RUTH GEYE (Chelm, KS), she/her, is an NYC-based playwright and comedian. Rarely at the same time. She is a founding member of NYU’s only variety comedy group, Friends With Dads, a frequent collaborator of Northampton, MA-based theatre collective Theater Between Addresses, a 2020-2021 Theatermacher Fellow at the Alliance for Jewish Theatre, and a member of the Writers Pool for the inaugural season of PlayGround-NY. Her plays include These and Those (O’Neill NPC Semifinalist) and The Elephant (The Blank YPF Winner). BFA: NYU Tisch. ruthgeye.com

DAVID HILDER‘s(Good King What’s-His-Name), he/him, plays and musicals include Those Days Are Over (winner, Ashland New Plays Festival; finalist, O’Neill Center National Playwrights Conference); Misfortune (Finalist, National Short Playwriting Contest, City Theatre); The Moment Before it All Went Wrong (Great Plains Theatre Conference; finalist, Lark Playwrights Week); Drown (Acadiana Rep; Holland New Voices Playwriting Award, Great Plains Theatre Conference; finalist, Princess Grace Award); The Insidious Impact of Anton (Acadiana Rep; Absolute Theatre, Los Angeles – winner, seven StageSceneLA Awards; winner, Ashland New Plays Festival); Just exactly like (Finalist, Heideman Award); etc. He is also a director and a recovering actor, as well as an alumnus of Hunter College (MFA), the University of Pennsylvania, and the O’Neill Center’s National Theater Institute. He tweets, too: @hilderthtrguy. www.davidhilder.com

LOUIS DEVAUGHN NELSON (Bridezilla Versus Stage Mom), he/him, is an interdisciplinary artist and the founder Hokum Arts started in 2006. Nelson has worked for 20 years as a performer, choreographer, producer and director for film, theater, dance and more. His works have been shown in USA, Europe, Australia and South Korea. He has studied at DeSales University, Drexel University, The New School, The Jeanne Ruddy School of Dance, The Koresh School of Dance, and is a proud member of The Dramatists Guild of America. Since the pandemic – he has directed six theatre/dance productions for ZOOM, YouTube, and Twitch with an aim to push the envelope in this time of burgeoning new media. He currently resides in New York City and is happy to be creating interdisciplinary art live and in person again. His recent #SisWhiteMaleNYC encapsulates the progression of Nelson’s oeuvre and serves as a quintessential example of his aesthetic and voice as a Queer Black Artist.

RACHAEL RICHMAN (Rudy), she/her, is an actor, writer, and theater-maker. Performance credits include: The Karamazovs (New Ohio Theatre, upcoming film), Aunt Leaf (HERE Arts/Hudson Opera), Love and Geography (HERE), Soulographie (La Mama), Body Drama (Whitney Museum), Offending the Audience (Flea Theatre), AWHY? (PS 122),The Speakeasy (Palace Theatre), Man of La Mancha (Custom Made), for which she received Bay Area Theatre Critics Circle Award for Principal Actress. Tennessee Williams Scholarship in playwriting from Sewanee Writers Conference. As a founding member of Fixed Agency, co-created immersive mixed-reality adventure Private(i) at Brooklyn Navy Yard/BEAT Festival. With Art Monastery Project, co-devised Prime, which toured internationally.

CHARLES VELASQUEZ-WITOSKY (Christmas Divorce), he/him, is a playwright, writer, and filmmaker. This is his second year as a Playground playwright; Last year he was part of Playground LA. In 2021, he moved from Los Angeles to Brooklyn, where he lives with his partner and their anxious dog, Crosby.

ANNIE JIN WANG (Santa Buddy), she/her, is a first-generation Chinese-American dramaturg, writer, and designer based in Brooklyn. Upcoming: BLOODLINES (Fault Line Theater) and WHISPER HOUSE (The Civilians). Recent credits: Shotgun Players, Rattlestick Playwrights Theater, Theater Mu, and the Croatian National Theatre. Her writing has been incubated with Fresh Ground Pepper. Currently she serves as the Associate Director for Programming & Communications at PlayCo, the Literary Manager of Ferocious Lotus Theatre Company, and the Artistic Associate at Theater Mu. MFA: Columbia University; BAs: Wellesley College.

ACTORS

SHEILA COLLINS (Bridezilla Versus Stage Mom, “Jaclyn”), she/her, has appeared in numerous plays, including these iconic roles: Ruth, in A Raisin in the Sun; Emilia, in Othello; (Duke)Duchess of Birmingham, in Henry VIII; Leonato(a) in Much Ado About Nothing; and Charlotte, in Charlotte’s Web. She has proudly participated in several productions by PlayGround-LA and is so pleased now to make her debut with PlayGround-NY.

EKEMINI EKPO (Bridezilla Versus Stage Mom, “Janelle”), she/her, is a New York-based, Nigerian-American theatre artist from Austin, Texas. She has performed with Commonwealth Shakespeare Company, Black Revolutionary Theatre Workshop, Apollinaire Theatre Company, and The Playground Experiment, among others. She is also an actor in the 24 Hour Plays: Nationals 2020 Company and a member of the inaugural IGNITE Mentorship cohort for emerging women and non-binary artists of color. Ekemini is a graduate of Harvard College, and is currently training at the Atlantic Acting School. She is thrilled to be making her Playground NY debut! IG: @e.u.ekpo, Website: ekeminiekpo.com

SARAH GUILBAULT (Chelm, KS, “Mordi”), she/they, is a writer and performer currently living in Harlem. She recently completed a Master’s in Performance Studies at NYU with a focus on ghostly traces and touch in postal correspondence. Some favorite roles include Marianne in Constellations, Paulina in Death and the Maiden, and Duchess in the Duchess of Malfi. Their current performance work focuses on uncanny encounters, diffusions of queer intimacies, and grief. Sarah takes inspiration from close friendships, epistolary correspondences, and a healthy dose of buffoonery.

TYLER KENT (Christmas Divorce, “Child”), he/him, is overjoyed to be making theater again. On stage: Metropolitan Playhouse; Kansas City Rep; Berkeley Rep; TheatreWorks Silicon Valley; Shotgun Players; The Old Globe; PlayGround SF. Also, 15 audiobooks (and counting) on Audible.

AUSTIN KU (Bridezilla Versus Stage Mom, “Jordan”), he/him, is an NYC-based actor/performer, and 2021 Grammy Award nominee! Recent: THE KENNEDY CENTER AT 50 (live and on PBS), TAKE ME TO THE WORLD: A SONDHEIM 90TH BIRTHDAY CELEBRATION (NY Times “Best Performances of 2020”). Off-Broadway: SOFT POWER at The Public Theater, PACIFIC OVERTURES at Classic Stage Company, and more. Many regional/touring credits and other awards/nominations. Many TV/film credits, including the upcoming Shonda Rhimes INVENTING ANNA series and Judd Apatow’s THE BUBBLE film (both for Netflix). Training: The Boston Conservatory. Find him at www.Austin-Ku.com and @secretaustinman.

JUNE LIENHARD (Santa Buddy, “Lin”), she/they, is excited to be making their NYC PlayGround debut . She graduated from Smith College in the spring of 2021 as a theater major and education minor. There, they acted in many shows including “The Curious Incident of the Dog in the Nighttime” as Judy, “The Wolves” as #8, “The Moors” as Agatha, and “Peter and the Starcatchers” as Prentiss. Since graduating, she has worked with Eggtooth Productions and Madhouse Theater Collective which she formed this past summer with other recent Smith alumni to produce and star in “An Intervention” by Mike Bartlett. June is excited to continue working with Playground as they continue to empower young and emerging theater artists.

GABRIELLA {G} MOMAH (Good King What’s-His-Name, “Jackie”), they/them, is a Black queer nonbinary storyteller raised on the unceded territories of the Tongva and Ohlone peoples. G is so excited for their first in-person performance with Playground! Some credits include Schoolgirls; Or the African Mean Girls Play at Berkeley Repertory Theater, Top Girls at American Conservatory Theater, numerous shows with Killing My Lobster and the National Queer Arts Festival. Gabby is a Resident Artist of Crowded Fire Theater currently pursuing their MFA in Acting and Directing at Brown / Trinity Repertory Theater on occupied Narragansett and Wampanoag land.

ENORMVS MUÑOZ (Bridezilla Versus Stage Mom, “Jack Daniels”), he/him, is an actor, dancer, director, writer, burlesque performer, and clown who splits his time between NYC, California, and Hawaiʻi.

JENNY NGUYEN NELSON (Chelm, KS, “Rose”), she/her, is always thrilled to be working with PlayGround. She is currently in her third year with Brown/Trinity’s MFA Acting program. She loves her husband Ian and her dog Marty in no particular order. JennyNguyenNelson.com

GRACESON ABREU NUÑEZ (Rudy, “Rudy”), all, with respect, is a Queer Afro-Latino native New Yorker, born and raised in Harlem to Dominican parents. His body of work encompasses acting, dramaturgy, and performance, with a BFA from Boston University. In addition to traditional Stanislavski and Meisner training, he has studied Physical Theatre (Grotowski, Viewpoints, Gaga) at Boston University, as well as Devised Theatre and Circus Arts (Double Edge Theatre) and Musical Theatre (NYU). Acting; New York; Quince (the Team). Regional Theatre; We the People, Leonara’s World (Double Edge Theatre). Workshop; In the Name Of…, Jubilee 11213, Laughs in Spanish. Dramaturgy; Knead, When the Cock Crows, Little Row Boat, or, Conjecture. Graceson currently lives in Spain working as a teaching artist in Spanish public schools. gracesonabreu.com Instagram @graceson.an

ROBERTA PIKSER ( Chelm, KS, “Dreydel”) began her dance career in Washington, DC, where she trained and then performed with Erika Thimey’s Dance Theatre of Washington. After college, Ms. Pikser taught for, performed for, and was assistant to Ms. Thimey. After coming to New York, she performed in the United States and abroad with Eleo Pomare, Chuck Davis, The Merry-Go-Rounders, Story Time Dance Theater, the Alpha-Omega 1-7 Theatrical Dance Company, and the Ezibu Muntu dance company of Richmond, Virginia. Acting credits include the Negro Ensemble Company, the Delaware Theatre Company, the Halfpenny Playhouse of Kearney, New Jersey, and Stage Center and the Fan Theatre Company in Richmond, Virginia. Ms. Pikser was a recipient of a CETA grant, working for Hospital Audiences, for whom she created and performed a one woman show, involving both acting and dancing, around the five boroughs of New York. As a teacher, Ms. Pikser worked as Assistant Professor of Theater at Virginia Commonwealth University. She taught a summer course for the Ballet Contemporáneo of Nicaragua, a course in Movement for Actors at the Teatro Estudio of Havana, and a guest residency at the State University of New York at Geneseo. For many years she coached for Chen and Dancers in New York. Ms. Pikser was a Program Auditor for the New York State Council on the Arts, specializing in developing theater and dance companies. She has written for New York Dance Fax, The Arts Cure Magazine, and Theatresceneonline.

ALEX SHAFER (Santa Buddy, “Sam”), he/him, moved to New York from the SF/Bay Area in 2018. He is so happy to be working with Playground again, as they open in NYC. Theatre highlights here in NY are Catapult! at Theatre for a New City, The Cradle Will Rock at Theatre 2020. Some theatre highlights the SF/Bay Area include Colonel McKean in 1776 at ACT, Dan/Jack in Value Over Replacement with Playground, Michael Flaherty in Playboy of the Western World at Cinnabar, Gaev in The Cherry Orchard at Hapgood, and various roles in Coast of Utopia at Shotgun.

NICK SHOLLEY (Christmas Divorce, “Adult”), he/him, is happy to be back. He has been playing with Playground since the late 1990’s. He used to live in the Bay Area but moved to western Massachusetts a little bit ago. Later this year, he will appear in a movie called, “Holy Irresistible.”

REBBEKAH VEGA-ROMERO (Santa Buddy, “Riley”), she/her, is a performer, poet, producer, and proudly triracial Latina bruja, who resides in her native NYC with her familiar, a black cat named Artie. A YoungArts award-winning writer, she graduated from Boston University with a Bachelor’s in English and Theatre. Rebbekah has performed at theatres across America from Boston (A Civil War Christmas/Huntington) to Seattle (Maria/West Side Story/5th Avenue). She produced the forthcoming short films “The Appraiser,” and “The Question,” which she also wrote and stars in. Her poetry has been published in The Quaranzine Zine and Sixfold. Her tarot wisdom is available online through Ruby’s Realm Tarot. Rebbekah hopes her work will inspire other mixed-race girls to realize that “there’s a place for us.” Visit her virtually @RebbekahVR or www.RebbekahVegaRomero.com.`

AARON WILTON (Good King What’s-His-Name, “Wenceslas“), he/him, is elated to be working with PlayGround again where he is part of the acting company. Notable stage productions include George Street Playhouse’s “Inspecting Carol” (with Peter Scolari & Dan Lauria), Aurora Theatre Company’s “John Gabriel Borkman” (with Karen Grassle) and the lead in Hudson Stage Company’s “After All” (with Broadway’s Walter Charles & Susan Pellegrino). Film: Jexi, The Boat Builder. TV: Criminal Minds, Sunset Glory. Video Games: Watch Dogs 2, Godfather 2, Mafia: Definitive Edition, Battlefield: Hardline. Commercials: Taco Bell, Xfinity, Wells Fargo, Blue Shield, Tejava, Charles Schwab, Chase, EA Games, Cisco, Adobe, Pixar.

DIRECTORS

TESSA CORRIE (Bridezilla Versus Stage Mom), she/her, is a Queer and Latinx theater director based in the Bay Area. Her work is grounded in creating space for marginalized and underrepresented communities and narratives. She is a company member, ambassador, and this year’s Women Leaders Directing Fellow at PlayGround SF. Her credits include work at Berkeley Repertory Theatre, TheatreWorks Silicon Valley, Center REPertory Company, HillbarnTheatre, Pear Theatre, Shotgun Players, TheatreFirst, The Playwrights’ Center of San Francisco, More Más Marami Arts, Poltergeist Theatre Project, PianoFight, AmiosWest, and Our Digital Stories.

JIM KLEINMANN (Chelm, KS; Artistic Director), he/him, co-founded PlayGround in 1994, along with playwright Brighde Mullins and director Denise Shama, and has served as Artistic Director since 1996. For PlayGround, he has provided artistic and administrative leadership for the past twenty-four seasons, developing PlayGround’s unique array of new playwright and new play incubator programs, including Monday Night PlayGround, the PlayGround Festival of New Works, the full-length play Commissioning Initiative, the New Play Production Fund, Potrero Stage: PlayGround Center for New Plays, and most recently the Innovator Incubator.  For PlayGround, he has directed more than one hundred short and full-length plays, including works by Garret Jon Groenveld, Aaron Loeb, Geetha Reddy, Lauren Yee, Katie May, and many others. Recent directing and dramaturgy credits include David Steele’s Vignettes on Love and Ruben Grijalva’s Value Over Replacement. He is a veteran arts administrator with more than thirty years of experience, including stints leading Traveling Jewish Theatre, Smuin Ballet and Berkeley Symphony, and received his MFA from the Yale School of Drama.

KALINA KO (Santa Buddy), she/her, is a Cantonese-American theater director, dramaturg, and generator. She is interested in the radical connection and community building of storytelling. Select credits include directing Paige Conway’s Tag (drafted) and Sophie Poole’s Ethanol (NOMADS), assisting Will Detlefsen on T. Adamson’s The Straights (The JACK, Brooklyn), and script assisting Hansol Jung on Wolf Play (Soho Rep) and Amy Jo Jackson on Hatchetation (National Music Theater Conference). She is currently the artistic apprentice at Roundabout Theatre Company and has worked two summers in the literary department at the Eugene O’Neill Theater Center. Kalina graduated recently from Barnard College. www.KalinaKo.weebly.com

ANA MARGINEANU (Christmas Divorce), she/her, is a theatre director who works both nationally and internationally. Ana is co-founder of PopUp Theatrics, a partnership creating immersive theatrical events around the world and in collaboration with international theatre artists. Her work has been presented at the Juggerknot, 3LD Art & Technology Center, Working Theater, Urban Stages, NYTW, Ensemble Studio Theater and in numerous theaters and festivals in Europe. More about her: www.anamargineanu.com or www.popuptheatrics.com

KATJA RIVERA (Rudy), she/her, studied theater at LACC Theatre Academy and Drama Studio London at Berkeley. Bay Area acting credits include: Shotgun Players, Magic Theatre, Theatre Rhinoceros, Center Rep. Directing credits include Shotgun Players, Douglas Morrison, CustomMade Theatre, RPE (Danville), SF Playground and TheatreFIRST. She is a proud member of AEA, Shotgun Players, SF Playground and Latinx Mafia.

ILLANA STEIN (Good King Whats-His-Name), she/her, NYC-based director. Recent credits: directed and co-wrote Hans & Sophie (World Premiere, Amphibian Stage), A Lost Leonardo (Amphibian Stage), Julius Caesar (Hudson Valley Shakespeare Festival Tour). Off-Broadway: Associate Director: Tamburlaine the Great (dir. Michael Boyd), Pericles (dir. Trevor Nunn) at Theatre for a New Audience. Regional credits: Associate Director: Fingersmith (dir. Bill Rauch/A.R.T.) Assisting: OSF, Signature Theatre, Yale Rep, Pearl Theatre, Hangar Theatre, Cincinnati Playhouse, Cincinnati Shakespeare Company. Overall Award for Excellence in directing or what she will by Charly Evon Simpson (FringeNYC ‘12), recipient of a Drama League First Stage Residency, member of LCT Directors Lab ’12, and on the board of LPTW. www.illanastein.com

PRODUCTION

SARAH GASSER (Stage Manager) joined PlayGround in 2017 and has staged managed for the Monday Night PlayGround series and PlayGround Festival. She stagemanages for companies around the Bay Area, including Brava and Bay Area Children’s Theatre. In her administrative capacities, she assists with PlayGround’s marketing, social media, communications, and website, as well as serving as assistant to the Artistic Director.

PLAYGROUND-NY is the second regional expansion of the celebrated Bay Area playwright incubator and theatre community hub, PlayGround(SF). PlayGround, California’s leading playwright incubator, provides unique development opportunities for the Bay Area’s, Los Angeles’ and now New York’s best new playwrights, including the monthly Monday Night PlayGround staged reading series, annual PlayGround Festival of New Works, full-length play commissions and support for the production of new plays by local playwrights through the New Play Production Fund. To date, PlayGround has supported over 250 early career playwrights, developing and staging more than 1,000 of their original short plays through the Monday Night PlayGround staged reading series and the PlayGround Festival. PlayGround has also commissioned 90 new full-length plays by 60 of these writers through its Commissioning Initiative and, through the innovative New Play Production Fund, has directly facilitated the premiere of 34 plays at theatres of every size, including three that have gone on to NYC and other major theater communities. Most recently, PlayGround renovated and relaunched the former Thick House Theater in San Francisco’s Potrero Hill as Potrero Stage, a state-of-the-art center for new plays, home to PlayGround’s expanding artistic programs and some of the Bay Area’s most distinguished new play developers and producers. Over the past twenty-seven years, PlayGround has served to identify some of the most important new local voices for the theatre. PlayGround’s alumni have gone on to win local, national, and international honors for their short and full-length work, including recognition at the Humana Festival, O’Neill National Playwrights Conference, Bay Area Playwrights Festival, The Lark’s Playwrights’ Week, New York International Fringe Festival, and others. PlayGround received the 2009 Paine Knickerbocker Award for outstanding contributions to Bay Area theatre, 3 BATCC Awards for Best Original Script for PlayGround commissions, a 2014 National Theatre Company Grant from the American Theatre Wing (founder of the Tony Awards®), and a 2016 Edgerton Foundation New Play Award.

PLAYGROUND-LA CONTRIBUTORS

PlayGround-NY is deeply grateful for the generous contributions of the many individuals whose support makes our playwright incubator programs possible.  The list below reflects gifts made through December 27, 2021.

Mr. Sam Affoumado
Sunah Cherwin
Lily Chow
Susan Culver
Frieda de Lackner
J Diamond
Jasmine Elshamy
Ms. Cherielyn Ferguson
Jake Friedman
Sabrina Garcia
Sarah Gasser
Lara Gilman & Jim Kleinmann
Danielle Green
Claire Greising
Mr. Stanley William Hathaway
Mr. Jacob Picheny
Susan Randell
Mr. Barry Reitman
Mr. Jess Roat
Ms. Aiyana Ruiz
Tori Serpico
Alex M. Shafer
Jenna Sherriton
Ghost Ship
Nick Sholley
Callie Short
Cathy M Stonie
Dale Underwood & Kirsti Aho
Janine & Darryl Wilburn
Anonymous (3)

PLAYGROUND-NY WRITERS POOL

Sam Affoumado, Anthony Anello, Maria Arreola, Karina Billini, Lilly Camp, Nelson Diaz-Marcano, Barry Eitel, Jessica Fleitman, Bailey Garcia, Kaela Mei-Shing Garvin, Ruth Geye, Stanley William Hathaway, Libby Heily, David Hilder, Nina Ki, Christian Missonak, Alex Moon, Louis DeVaughn Nelson, Matthew Park, Lila Perlman, Phanesia Pharel, Jacob Marx Rice, Rachael Richman, Natalie Sacks, Fernando Segall, Matthew Stephen Smith, Niara Smith, Cece Suazo, Kate Thomas, Charles Velasquez-Witosky, Leela Velautham, Annie Jin Wang, Catherine Weingarten, Cate Wiley, Maggie Wilson, Lauren Wimmer

PRODUCTION & STAFF

Jim Kleinmann, Co-Founder & Artistic Director
Annie Stuart, Associate Artistic Director
Sarah Gasser, Resident Stage Manager
Colin Johnson, Resident Visual Designer

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c/o PlayGround
3286 Adeline St #8
Berkeley, CA 94703-2485