PlayGround-NY presents Season 1

MONDAY NIGHT PLAYGROUND

Topic: “What the World Needs Now…”
March 28th, 2022 7pm ET
Vimeo Live Simulcast & On Demand

Sing a Song of Sixpence
By Kaela Mei-Shing Garvin
Directed by Nico Krell
Marie [de Medici]………..…Jenny Nguyen Nelson
Henry [IV of France]…….Graceson Abreu Nunez
Priest……….…………………………..…..David Kramer
Blackbird……….………………..……..….Sheila Collins

K-I-S-S-I-N-G
By Bailey Jordan Garcia
Directed by Tessa Corrie
Christy……….……………..……..…..….Gabi Mayorga
Joy……….…………..…..……..……….Sarah Guilbault

In My Lady’s Chamber
By Leela Velautham
Directed by Victoria Collado
Richard……….……….…..……..Anthony Rutowicz
Anne……….………………….…..…….Krystal Mosley
William……….………………….…..…Andrew Sellon
Goose……….………………….…..……Roberta Pikser

Up the Water Spout
By Jacob Marx Rice
Directed by Christa Scott-Reed
Octavia……….…………….…..……..Julia Brothers
Bitsy……….…………..………………..……Tyler Kent

Little Miss Muffet
By Matthew Park
Directed by Abigail May Rosen
Dr. Muffet……….…………..……..……Alex Shafer
Prudence Muffet…………..…………Amina Theis
Margaret Bates……….……….….Rebecca White

A Great Fall
By Christian Missonak
Directed by Jim Kleinmann
Nathan……….…………..…..…Enormvs Munoz
Alana…..……..…..………Tiana Randall-Quant
H.D………….……………….……..….Nick Sholley

Stage Manager – Sarah Gasser
Visual Design Consultant – Colin Johnson

This live stream is produced under a SAG-AFTRA New Media Agreement.

PlayGround is a member of Theatre Bay Area and Theatre Communications Group,
and an Associate Member of the National New Play Network (NNPN).

PEOPLE’S CHOICE AWARD

Following tonight’s performance, we invite your participation in this month’s People’s Choice Award. Through the People’s Choice Award, our audience can play a direct impact in furthering the career of a promising new playwright. To vote, make a People’s Choice Award tax-deductible donation on behalf of your favorite play(s)/playwright(s) from the evening. Every donated dollar counts as a vote while directly supporting PlayGround’s award-winning incubator programs.

Cast your vote for your favorite play(s) by making a People’s Choice donation via Zelle (info@playground-ny.org), Venmo (our account ID is @playgroundsf and if they ask for the last four digits of my phone, it’s 8541) or on our website at https://tickets.playground-sf.org/TheatreManager/1/online?donationquick=168 (you can also visit the Monday Night PlayGround page for the People’s Choice donation button). Add a note/memo with your gift to indicate your favorite play(s) or email your selection to boxoffice@playground-sf.org.

At the end of next week, we’ll tally up the top vote-getter and automatic semi-finalist for our season-ending Best of PlayGround. It’s a powerful way of showing your support for new writers and their work, while helping PlayGround continue doing what we do!

ACKNOWLEDGING THE LEGACY OF THE LAND WE INHABIT

PlayGround-NY acknowledges that we are on the unceded ancestral homeland of the Munsee Lanape, the original inhabitants of the territory colonially known as the five burroughs of New York City. As the past and present Indigenous stewards of this land and in accordance with their traditions, the Munsee Lanape have never ceded, lost, nor forgotten their responsibilities as the caretakers of this place, as well as for all peoples who reside in their traditional territory. We recognize the historic injustice of the forcible removal of the Munsee Lanape people from their ancestral lands, and that we benefit from living and working on their traditional homeland. We wish to pay our respects by acknowledging the Ancestors, Elders and Relatives of the Munsee Lanape Communities and by affirming their sovereign rights as First Peoples. We honor the storytellers of the Lanape and are grateful for our ability to share and uplift Indigenous stories and those of other historically marginalized communities.

To learn about the legacy of the land you inhabit, visit Native-Land.ca | Our home on native land. To read the complete Land Acknowledgment Policy, click here.

PLAYGROUND’S ANTI-RACIST POLICY

PlayGround recognizes the impact of racial oppression within society and the American Theater and that we have been complicit in White Supremacy culture. Our goal is to co-create safety for our community by identifying and interrupting instances of racism and all forms of oppression when we witness them, through specific actions rooted in the principles of anti-racism and accessibility. In its endeavor to address the implications of our history, PlayGround is committed to its compliance with the following fundamental rights:
● The recognition of inherent dignity and worth of each human being.
● The recognition of equality of all human beings.
● Recognition of rights of ethnic, racial, cultural, linguistic and religious groups.
● Equality and non-discrimination.

PlayGround’s Anti-Racist Policy applies to: all members of the PlayGround community, including employees, independent contractors, volunteers, audience members, donors, and general members of the community.

To read the complete Anti-Racist Policy, click here.

BIOGRAPHIES

PLAYWRIGHTS

BAILEY JORDAN GARCIA (K-I-S-S-I-N-G), they/them, is a NYC-based playwright and actor earning a BFA in Playwriting from The New School. In May 2021, their full length The Pedo Punchers Play was a part of The Blank Theatre’s Living Room series. They’re also a winner of The Young Playwrights Festival in 2020. With Playground-NY: “The Rebirth of Zora Audley Jones”, “Until the Sun Rises”, “This is Beauty”. When they aren’t writing, Bailey can usually be found at Bethesda Fountain or cuddling with their 3-legged pup, Mushu. Love to the family, Teddy, and Taylor. baileyjordangarcia.com

KAELA MEI-SHING GARVIN (Sing a Song of Sixpence), they/she, is a writer, producer, performer, and educator. Kaela is a 2021 Bay Area Playwrights Festival selection, a 2021 Kendeda Playwriting Award finalist, and the recipient of six Kennedy Center playwriting awards. Kaela’s plays have been developed at The Alliance Theater, Montana Repertory Theater, and Sewanee Writers Center; they’ve been produced in New York at venues like Dixon Place, the New Ohio, and Ars Nova. They currently teach playwriting at Cornish College of the Arts. MFA, Indiana University; BFA, NYU www.kaelameishinggarvin.com | @kaemeishing on IG, Twitter

CHRISTIAN MISSONAK (A Great Fall), he/him, is a NYC-based playwright originally from Chicago, where he was a graduate of Columbia College and The Second City Conservatory. He was an ensemble member at Under the Gun Theater where his Chicago Reader-recommended play, SAVE FERRIS, was performed. In 2021, his new play SHERIDAN premiered at MadLab Theatre in Columbus, Ohio. Next up: His short play “Cooperative” will be performed at the Metropolitan Playhouse as part of their East Side Chronicles, May 19th-29th. For more visit www.christianmissonak.com

MATTHEW PARK (Little Miss Muffet), he/they, is a Korean-American playwright. He graduated from NYU’s Tisch School of the Arts with a degree in Dramatic Writing, studying under Lucas Hnath, Brandan Jacob-Jenkins and Eduardo Machado. His thesis play Hurricane Regan was directed by Sarah Wansley and performed in NYU’s Black Box Theatre. He was Scott Rudin’s assistant during the Broadway productions of Three Tall Women and To Kill A Mockingbird. His play Plague Year was a finalist at Red Bull Theater’s 2020 Short New Play Festival and was published by Stage Rights.

JACOB MARX RICE (Up the Water Spout), he/him, plays have been produced and developed at The Eugene O’Neill Theatre Center, The Finborough Theatre in London, Actors Theatre of Louisville, The Flea Theater, The New Ohio, Atlantic Theatre Stage 2, and others. His play Chemistry has premiered in seven cities across three continents, and Jacob’s screenplay adaptation is currently in development with Anonymous Content. Recent prizes include the Jean Kennedy Smith Playwriting Award from the John F. Kennedy Center for the Performing Arts, an Ensemble Studio Theater Sloan Commission, the Faculty Award from the NYU/Tisch Department of Dramatic Writing and the Excellence in Playwriting Award at the New York International Fringe Festival. MFA: NYU.

LEELA VELAUTHAM (In My Lady’s Chamber), she/her, originally from the UK, is finishing a Ph.D. in Educational Psychology at UC Berkeley. She was a member of Playground SF’s Playwright Residency Program (2020-21), has been featured in the Best of Playground SF 24 and 25, is a two-time semi-finalist of the Bay Area Playwrights Festival and won the 2011 University of Oxford’s New Writing Festival for her play ‘Schroedinger’s Hat’.

ACTORS

JULIA BROTHERS (Up the Water Spout, “Octavia”), she/they, recently played Jo in Wendy MacLeod’s Women In Jeopardy at Arizona Theatre Company. Next up – a safari in Africa! Woo Hoo! Then – playing Arthur Miller in a bilingual Mandarin/English production of the new play, Salesman, written by Jeremy Tiang, directed by Michael Leibenluft at Target Margin in Brooklyn. Then – who knows?!

SHEILA COLLINS (Sing a Song of Sixpence, “Blackbird”), she/her, has appeared in numerous stage plays, including these iconic roles: Ruth, in A Raisin in the Sun; Emilia, in Othello; (Duke)Duchess of Birmingham, in Henry VIII; Leonato(a) in Much Ado about Nothing; and Charlotte, in Charlotte’s Web. She’s also appeared in several TV shows: Grey’s Anatomy, Pretty Little Liars and General Hospital, and S.W.A.T., among others, as well as short films, a webseries and a feature film. She’s pleased to be working once again with PlayGround-NY.

SARAH GUILBAULT (K-I-S-S-I-N-G, “Joy”), she/they. Born and raised in the Bay Area, Sarah Guilbault is a writer and performer living in Harlem. Some favorite roles include Marianne in Constellations, Paulina in Death and the Maiden, and Duchess in the Duchess of Malfi.

TYLER KENT (Up the Water Spout, “Bitsy”), he/him, is overjoyed to make theater again. Credits include: PlayGround (SF & NY); Nat’l Yiddish Theatre; Metropolitan Playhouse; Berkeley Rep; TheatreWorks Silicon Valley; Shotgun Players; Kansas City Rep; The Old Globe. 16 audiobooks (& counting) on Audible. MFA: The Old Globe / USD.

DAVID KRAMER (Sing a Song of Sixpence, “Priest”), he/him, a native New Yorker, has studied with Stella Adler and Stephen Jobes. BA from Empire State College. Medicine Show Theatre Company member. Voice actor on 100+ movies. TV: Law and Order. Member of Productions with Actors for Training and Helping, Inc. Upcoming: Extrapolation (Apple TV). Painter davidkramerart.com mentored by Knox Martin Represented by CPM Talent Management. Love to Salla, Niilo, Risto and Toivo.

GABI MAYORGA (K-I-S-S-I-N-G, “Christy”), she/her, is an actress, teacher and director. She was born in Jalisco, Mexico and grew up in the New Mexican desert. She received her BFA in acting from the Theatre School at DePaul University and performed on stages such as The Steppenwolf Garage, The Goodman Theatre and Cincinnati Playhouse. She’s acted in commercials and independent films, taught theater to young students and enjoys making short films.

KRYSTAL MOSLEY (In My Lady’s Chamber, “Anne”), she/her. Midwestern at heart, Krystal comes all the way from Los Angeles and is happy to be performing with PlayGround-NY. Classically trained, Krystal’s favorite stage performances to date include 10 Virgins (Chicago Dramatist), Orpheus and Eurydice (Chicago Opera Theater), Ruined (Eclipse Theatre), A Doll’s House (Definition Theatre), and Macbeth (Polarity Ensemble Theatre). She has a BFA from the University of Illinois at Chicago and is a recent graduate of the conservatory program at Second City Comedy, as well as Upright Citizens Brigade. Krystal can be seen on The Young and the Restless (CBS) and in the upcoming indie feature The Neon Highway starring Beau Bridges. She is currently in rehearsal for the much anticipated production of “Intimate Apparel” by Lynn Nottage with Palm Beach Dramaworks. She is looking forward to working in the next Emmy Award comedy series or anything opposite Quinta Brunson.

ENORMVS MUNOZ (A Great Fall, “Nathan”), he/him, is an actor, dancer, director, writer, burlesque performer, and clown who splits his time between NYC, California, and Hawaiʻi.

JENNY NGUYEN NELSON (Sing a Song of Sixpence, “Marie”), she/her, is always thrilled to be working with PlayGround. She is currently in her third year with Brown/Trinity’s MFA Acting program. She loves her husband Ian and her dog Marty in no particular order. JennyNguyenNelson.com

GRACESON ABREU NUÑEZ (Sing a Song of Sixpence, “Henry”), all, with respect, is a Queer Afro-Latino native New Yorker, born and raised in Harlem to Dominican parents. His body of work encompasses acting, dramaturgy, and performance, with a BFA from Boston University. In addition to traditional Stanislavski and Meisner training, he has studied Physical Theatre (Grotowski, Viewpoints, Gaga) at Boston University, as well as Devised Theatre and Circus Arts (Double Edge Theatre) and Musical Theatre (NYU). Acting; New York; Quince (the Team). Regional Theatre; We the People, Leonara’s World (Double Edge Theatre). Workshop; In the Name Of…, Jubilee 11213, Laughs in Spanish. Dramaturgy; Knead, When the Cock Crows, Little Row Boat, or, Conjecture. Graceson currently lives in Spain working as a teaching artist in Spanish public schools. gracesonabreu.com Instagram @graceson.an

ROBERTA PIKSER (In My Lady’s Chamber, “Goose”), she/her, began her dance career in Washington, DC, where she trained and then performed with Erika Thimey’s Dance Theatre of Washington. After college, Ms. Pikser taught for, performed for, and was assistant to Ms. Thimey. After coming to New York, she performed in the United States and abroad with Eleo Pomare, Chuck Davis, The Merry-Go-Rounders, Story Time Dance Theater, the Alpha-Omega 1-7 Theatrical Dance Company, and the Ezibu Muntu dance company of Richmond, Virginia. Acting credits include the Negro Ensemble Company, the Delaware Theatre Company, the Halfpenny Playhouse of Kearney, New Jersey, and Stage Center and the Fan Theatre Company in Richmond, Virginia. Ms. Pikser was a recipient of a CETA grant, working for Hospital Audiences, for whom she created and performed a one woman show, involving both acting and dancing, around the five boroughs of New York.

TIANA RANDALL-QUANT (A Great Fall, “Alana”), she/her, is a born and raised Angeleno fighting the narrative that LA is not a “theatre town”. She is a co-drafter of the LA Anti-Racist Theatre Standards and a co-founder of BLKLST, an org focused on creating a Green Book of LA theatre companies. She can be found on YouTube making fun comedy and gaming content with The 354 Squad.

ANTHONY RUTOWICZ (In My Lady’s Chamber, “Richard”), he/him, is forever grateful for the Theatre spirit and heart of NYC. His time spent in the city during the summer of 2014 reaffirmed his decision to be a lifelong storyteller. Since then, Anthony has participated in various Theatre projects around Los Angeles as well as some TV/Film stuff. Has been playing with Playground LA for about 5-7 years now. Thanks for tuning in. And as always, stay safe, y’all.

ANDREW SELLON (In My Lady’s Chamber, “William”), he/him,  he/him, favorite roles include Polonius in Hamlet, The Fool in King Lear, Vanya in Vanya and Sonia and Masha and Spike, Bazzard in The Mystery of Edwin Drood, Charlie in The Foreigner, and all 35 roles in I Am My Own Wife. He’s best known to TV audiences as Mr. Penn/The Ventriloquist/Scarface in Seasons 4/5 of Fox’s Gotham. Other Film/TV: Begin Again, The Smurfs, The Blacklist, Divorce, The Good Fight, Halston. Audiobooks include: Turncoat, The Kevin Show. Andrew is on the graduate creative writing faculty at Western Colorado University and University College/DU, where he teaches writing and performance. Website: www.andrewsellon.com

ALEX SHAFER (Little Miss Muffet, “Dr. Muffet”), he/him, moved to New York from the SF/Bay Area in 2018. He is so happy to be working with PlayGround again, as they open in NYC. Theatre highlights here in NY are Catapult! at Theatre for a New City, The Cradle Will Rock at Theatre 2020. Some theatre highlights the SF/Bay Area include Colonel McKean in 1776 at ACT, Dan/Jack in Value Over Replacement with Playground, Michael Flaherty in Playboy of the Western World at Cinnabar, Gaev in The Cherry Orchard at Hapgood, and Boolie in Driving Miss Daisy at RVP.

NICK SHOLLEY (A Great Fall, “H.D.”), he/him, he/him, is happy to be back with PlayGround, where he cut his chops as actor and performer more than 20 years ago in San Francisco. Most recently, he appeared as Pastor Owen in the soon-to-be-released feature “Holy Irresistible.”

AMINA THEIS (Little Miss Muffet, “Prudence Muffet”), she/her, grew up in Vietnam, Thailand, and NYC. She is a graduate from Skidmore College, and has appeared in various productions throughout NYC including: Dragon in the River, Comedy of Errors, Arlecchino and the Cup of Love, and Agamemnon, as well as the national tour of West of Elsewhere. Selected college theatre credits include The Search for Signs of Intelligent Life in the Universe, Who Will Carry the Word, and Blood Wedding. Selected film credits include the Amazon Prime TV series The Adventures of Snow White and Rose Red, and Sally in Overgrown.

REBECCA WHITE (Little Miss Muffet, “Margaret Bates”), she/her, is thrilled to be PlayGround-ing! Theater includes: Hadrian’s Wall (Best Actress NY Fringe), Lauren Gunderson’s The Taming (Shaker Bridge), 8 roles + guitar in A Christmas Carol (Merrimack Rep), Awake & Sing! (Aurora), Off-Bway’s The Exonerated (dir. Bob Balaban), & Trenchcoat in Common (World Premiere, Magic Theater). Film/TV: Homeland (SHO), Falling Water (USA), Eye Candy (MTV), Person of Interest (CBS), The Waiting Room (dir. Oscar-winner Graham Moore & Ben Epstein), Limit (Golden Honu Winner – Hawaii’s BIFF). Graduate: Brown University & The Shakespeare Lab (Public Theater/NYSF). She singer-songwrites as Bexarkana. fb/insta: @bexarkana

DIRECTORS

VICTORIA COLLADO (In My Lady’s Chamber), she/her, is a Cuban-American director creating adventurous storytelling experiences on-stage and on-screen! Named Best Director of 2020 by the Miami New Times, Collado is well-known for her direction of the hit immersive theatre piece, The Amparo Experience, which was named “Miami’s Hottest Ticket” by People en Español. She also directed the Inaugural Anthem Award-winning digital piece Black Feminist Video Game written by Darrel Alejandro Holnes. Most recently in film, Victoria directed the Social Media version of Amparo (@theamparoexperience) and is working on multiple documentaries; one of which is based on the life of legendary actor, Ruben Rabasa.

TESSA CORRIE (K-I-S-S-I-N-G), she/her, is a Queer and Latinx theater director based in the Bay Area. Her work is grounded in creating space for marginalized and underrepresented communities and narratives. She is a company member, ambassador, and this year’s Women Leaders Directing Fellow at PlayGround SF. Her credits include work at Berkeley Repertory Theatre, TheatreWorks Silicon Valley, Center REPertory Company, Hillbarn Theatre, Pear Theatre, Shotgun Players, TheatreFirst, The Playwrights’ Center of San Francisco, More Más Marami Arts, Poltergeist Theatre Project, PianoFight, Amios West, and Our Digital Stories.

JIM KLEINMANN (A Great Fall; Artistic Director), he/him, co-founded PlayGround in 1994, along with playwright Brighde Mullins and director Denise Shama, and has served as Artistic Director since 1996. For PlayGround, he has provided artistic and administrative leadership for the past twenty-four seasons, developing PlayGround’s unique array of new playwright and new play incubator programs, including Monday Night PlayGround, the PlayGround Festival of New Works, the full-length play Commissioning Initiative, and more than one hundred short and full-length plays, including works by Garret Jon Groenveld, Aaron Loeb, Geetha Reddy, Lauren Yee, Katie May, and many others. Recent directing and dramaturgy credits include David Steele’s Vignettes on Love and Ruben Grijalva’s Value Over Replacement. He is a veteran arts administrator with more than thirty years of experience, including stints leading Traveling Jewish Theatre, Smuin Ballet and Berkeley Symphony, and received his MFA from the Yale School of Drama.

NICO KRELL (Sing a Song of Sixpence), he/they, is an Uruguayan-born director raised across three continents. He creates theatrical experiences: plays, musicals, operas, performance art, immersive shows, and, once, a gastrotheatical adaptation of Medea. His work is provocative and socially-conscious, building a modern forum through formally-inventive, design-forward drama. He is a consultant and educator at Princeton University, leading workshops and restructuring the program towards a more holistic, equitable theater culture. His directing work has been seen at the wild project, Mercury Store, Princeton Summer Theater, and the Tank; he has supported projects at Soho Rep., Heartbeat Opera, Opera America, and Berkshire Theatre Group. nicokrell.com

ABIGAIL MAY ROSEN (Little Miss Muffet), she/her, is a director and producer from Washington, DC. She recently achieved her first Off-Broadway credit with BABY (Out of the Box Theatrics), and works for People’s Theatre Project in upper Manhattan. In addition to her theatrical pursuits, Abigail is also a self-published voice actor, a legitimately published writer, a singer, a guitar player, and a pretty bangin math tutor. She regrets that she cannot play tennis.

CHRISTA SCOTT-REED‘s (Up the Water Spout), she/her, Off-Broadway directing credits include C.S. Lewis’ The Great Divorce (currently on a National Tour), A Man for All Seasons starring Michael Countryman, and the first New York revival of Shadowlands starring Daniel Gerroll. She recently directed Will Eno’s Thom Pain (based on nothing) for Katonah Classic Stage, where she is an Artistic Associate. Christa’s acting credits include Broadway, Off-Broadway, Regional Theatre, Film and Television. Christa is a part-time faculty member at the New School and the Literary Manager for Fellowship for Performing Arts where her 2020/21 online directing projects have received over 100,000 views. www.christascottreed.com

PRODUCTION

SARAH GASSER (Stage Manager) joined PlayGround in 2017 and has staged managed for the Monday Night PlayGround series and PlayGround Festival. She stagemanages for companies around the Bay Area, including Brava and Bay Area Children’s Theatre. In her administrative capacities, she assists with PlayGround’s marketing, social media, communications, and website, as well as serving as assistant to the Artistic Director.

PLAYGROUND-NY is the second regional expansion of the celebrated Bay Area playwright incubator and theatre community hub, PlayGround(SF). PlayGround, California’s leading playwright incubator, provides unique development opportunities for the Bay Area’s, Los Angeles’ and now New York’s best new playwrights, including the monthly Monday Night PlayGround staged reading series, annual PlayGround Festival of New Works, full-length play commissions and support for the production of new plays by local playwrights through the New Play Production Fund. To date, PlayGround has supported over 250 early career playwrights, developing and staging more than 1,000 of their original short plays through the Monday Night PlayGround staged reading series and the PlayGround Festival. PlayGround has also commissioned 90 new full-length plays by 60 of these writers through its Commissioning Initiative and, through the innovative New Play Production Fund, has directly facilitated the premiere of 34 plays at theatres of every size, including three that have gone on to NYC and other major theater communities. Most recently, PlayGround renovated and relaunched the former Thick House Theater in San Francisco’s Potrero Hill as Potrero Stage, a state-of-the-art center for new plays, home to PlayGround’s expanding artistic programs and some of the Bay Area’s most distinguished new play developers and producers. Over the past twenty-seven years, PlayGround has served to identify some of the most important new local voices for the theatre. PlayGround’s alumni have gone on to win local, national, and international honors for their short and full-length work, including recognition at the Humana Festival, O’Neill National Playwrights Conference, Bay Area Playwrights Festival, The Lark’s Playwrights’ Week, New York International Fringe Festival, and others. PlayGround received the 2009 Paine Knickerbocker Award for outstanding contributions to Bay Area theatre, 3 BATCC Awards for Best Original Script for PlayGround commissions, a 2014 National Theatre Company Grant from the American Theatre Wing (founder of the Tony Awards®), and a 2016 Edgerton Foundation New Play Award.

CONTRIBUTORS

PlayGround-NY is deeply grateful for the generous contributions of the many individuals whose support makes this first season and our playwright incubator programs possible. The list below reflects gifts made between March 1, 2021 and March 28, 2022.

Associate Member ($125+)
Maura C. Berkelhamer, Anonymous (2)

Supporting Member ($75-$124)
Sarah Gasser, Mr. Stanley William Hathaway, Lara Gilman & Jim Kleinmann, Madeline Puccioni, Dale Underwood and Kirsti Aho

Contributing Member ($25-$74)
Mr. Sam Affoumado, Susan Culver, Sabrina Garcia, Miss Catherine Isaacs, Nick Sholley, Catherine Weingarten, Janine & Darryl Wilburn, Janet Williams, Anonymous

Friends (Up to $24)
Brigid Amos, Sunah Cherwin, Lily Chow, Frieda de Lackner, J Diamond, Jasmine Elshamy, Ms. Cherielyn Ferguson, Jake Friedman, Danielle Green, Claire Greising, Ms. Mildred Inez Lewis, Mr. Jacob Picheny, Susan Randell, Mr. Barry Reitman, Mr. Jess Roat, Ms. Aiyana Ruiz, Tori Serpico, Alex Shafer, Anonymous

To contribute to PlayGround-NY, visit https://playground-ny.org/contribute.

PLAYGROUND-NY WRITERS POOL

Sam Affoumado, Anthony Anello, Maria Arreola, Karina Billini, Lilly Camp, Nelson Diaz-Marcano, Barry Eitel, Jessica Fleitman, Bailey Garcia, Kaela Mei-Shing Garvin, Ruth Geye, Stanley William Hathaway, Libby Heily, David Hilder, Nina Ki, Christian Missonak, Alex Moon, Louis DeVaughn Nelson, Matthew Park, Lila Perlman, Phanesia Pharel, Jacob Marx Rice, Rachael Richman, Natalie Sacks, Fernando Segall, Matthew Stephen Smith, Niara Smith, Cece Suazo, Kate Thomas, Charles Velasquez-Witosky, Leela Velautham, Annie Jin Wang, Catherine Weingarten, Cate Wiley, Maggie Wilson, Lauren Wimmer

PRODUCTION & STAFF

Jim Kleinmann, Co-Founder & Artistic Director
Annie Stuart, Associate Artistic Director
Sarah Gasser, Resident Stage Manager

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3286 Adeline St #8
Berkeley, CA 94703-2485